Wednesday, October 19, 2011

Ten Perfect Albums, Part One

Yeah, yeah, I stole the concept from the "Ten Things, Motherfucker" blog.  Sue me.  It's brilliant.

But in all seriousness, it got me thinking.  I was driving round with my 17-yr-old a few days ago, telling her in my oh-so-authoritative way that some song or other was "perfect"--that nothing could ever be done to a particular record to improve it or re-make it. I'm sure she was rolling her eyes at me, thinking I had no fucking idea what I was talking about...but I do, kids, I do!

Think about it: could you really and truly improve "In Between Days" by the Cure?  How about "Hang On, Sloopy" by the McCoys?  "Do You Know What I Mean" by Lee Michaels?  Or many records by the Ramones?  I mean, you could re-record them, but you could never truly surpass the original versions.  You get the drift. 

So how about all that 12" vinyl I cherish so much?  Sure, there's perfection at every turn.  I bet about 10% of my current collection would qualify as such.  I have compiled this list on the basis of quality of songs and production, overall unity of sound and/or concept, as well as sequencing.  So let's examine the evidence, kids...in no particular order:

1. Sgt Pepper's Lonely Hearts Club Band, The Beatles (1967): When Rolling Stone, that former bastion of coolness (they lost me at the Justin Bieber cover), took a huge poll and listed the 100 best albums between 1967 and 1987, this one was at the top.  Why?  Oh, let me count the reasons, dear readers. 

Number one, it's recognized as the first "concept" album, meaning of course that it had a sort of story to tell.  Those that followed in its wake were similar masterpieces like The Who's Tommy and the Moody Blues's Days of Future Past (more on this one later).  Now, in this case, it's not truly a linear story with a beginning, middle and end (MCR pals, see The Black Parade for comparison), but the songs hang together loosely.  The beginning and end of the album are bracketed by the Sgt Pepper theme; but really the "concept" part of it is the unifying sound of the songs, and how they all seem to be part of the whole.

Number two, the songs are fucking brilliant.  Here are the Beatles at the peak of their creativity, and that's putting it mildly.  The songs are among their best, with everyone getting a vocal turn, and even prominently feature the wonderful, long-suffering Ringo Starr.  I bet most people alive today can sing at least one of the songs from Sgt Pepper, even those who weren't even a twinkle in their parents' eyes when the album came out, proving their pervasiveness in modern culture.  As amazing as all the songs are,  the album ends with perhaps the Beatles' greatest achievment, "A Day in the Life." 

And lastly, the production is flawless.  Helmed by the amazing George Martin, aided and abetted by strings, brass and (probably) a boatload of psychedlics, the band went wild with experimentation: adding sounds that nobody'd ever heard before; slowing their vocals or layering them; and showing just about every musical influence all four of them had had up until that point.   I of course own the American version in stereo instead of mono, but still the whole thing makes me sit up and listen.  Anyone who might think Sir George isn't the greatest producer ever is off his fucking rocker.  He took four greasy rocker boys and helped make them into the icons they are today.

Nobody but nobody would have dared before the Fab Four did, and aren't we glad they made the effort?
See also: Rubber Soul, Revolver.

Saturday, July 23, 2011

My Chemical Romance--in gratitude

In light of all that's happened today, July 23, 2011:

This has been a terrible day for the people of Norway, with a mass killing in a place not especially known for violence.  It's also been a sad day for the music industry and those who loved Amy Winehouse, personally and professionally, as she was found dead in her London home at age 27.

But it's also a day when people who love My Chemical Romance celebrate the release of their first album (or it is their first show? I can never remember).

I have to admit, I probably don't fit the profile of a "typical" My Chemical Romance fan.  For one thing, I'm quite a lot older (fifty) than most other fans of theirs that I know--my 17-yr-old daughter, my 16-yr-old niece, and some of their friends.  You get my drift.  But I am first and foremost a music fan, and while I certainly don't love all forms of music, rock-n-roll has been a fortifying presence in my life since I was eleven.  It's amazing to me that I was about sixteen myself the year that the two oldest members of MCR were born, and in college when the two youngest came into the world.

But as I'm finding more and more in my life, age isn't always the most important consideration.

My older daughter turned twelve in 2006.  It was, to put it mildly, a difficult year for all in our house.  She was going through the usual changes: starting middle school, finding new friends, altering her hair, her clothes, and just generally remaking the girl that my husband and I had raised. 
I didn't understand much of what she was going through at that time.  Sometimes she would be angry or impatient with me, for no good reason I could fathom; sometimes she wouldn't talk to me, no matter how much I asked her to.  For someone who wanted my children to rely on me, and feel they could tell me anything, that was almost the hardest part of it all.

Relief for her came in the form of a copied CD of an album called You Brought Me Your Bullets, I Brought You My Love, by a group whose name I'd only heard a few times: My Chemical Romance.  I'd hear bits of the CD played in her room at all hours.  When she would show me pictures of the band at that time, I had no idea how old they were.  (At my advanced age, they might as well have been teenagers themselves.)  Since she seemed so into them, I got her a copy of the Life on the Murder Scene DVD, which then seemed to be on the TV screen almost anytime she was nearby.

I didn't totally understand it at first, her love of these young men whose music seemed so sad, so desperate.  When I'd hear random bits of that first CD, none of it made sense.  It just sounded like raw emotion over a background of shredding guitars, songs that had little structure, but which seemed to mean so much to her.  Somewhere in there I'd catch snippets of the interviews on the DVD, and maybe a minute or two of the songs from Three Cheers for Sweet Revenge, but I never gave much thought to any of what I'd seen or heard. 

My husband and I didn't know what was going on, and I know we over-reacted in several ways.  I was afraid I was turning into the kind of parent for whom music would form walls instead of bridges.

Finally, late one night, my daughter and I were both watching the DVD when Gerard Way and Brian Schecter were reflecting on the role of the 9/11 attacks in the formation of the band.  Suddenly, inexplicably, I understood.  I said to my daughter, "I get why you like them now."  She beamed, which was a welcome sight to me after all we'd been through.

In September of that same year, I listened with a mixture of pride and excitement as we heard "Welcome to the Black Parade" for the first time.  Not long afterwards, I purchased the tickets for our first MCR show, in March 2007.  That event was something else again.  My daughter and I, famous for annoying each other in various ways, spent several days alone together, and didn't have a single argument.  We listened to Shiny Toy Guns and Regina Spektor while driving to and around the Chicago area; for months afterward, their songs evoked a powerful response in me, of an amazing trip to see an amazing band.

And it was a terrific show.  I'd grown up in the 70s in the New York City area, but because I was so young, I never really saw many of the great shows that took place at Madison Square Garden.  I missed Yes and Pink Floyd and Springsteen; Kiss, Alice Cooper and Paul McCartney and Wings.  The only real theatrical production I ever saw in a rock-n-roll arena was Elton John, and even he had toned things down by 1976.  But MCR delivered a classic rock show, starting with Gerard Way being wheeled out on a gurney to sing "The End", and playing the whole of The Black Parade, front to back, the way it was intended to be.  I have to admit, I didn't brave the pit during the album set, but I left the safe seat I'd requested at the Rosemont Arena and stayed out on the floor for the Revenge songs.  For months, I kept a bag of black and silver confetti that I'd collected off the venue floor, and proudly wore my tour shirt.

Just over a year later, we drove to Chicago again to see another show, and to meet up with a few online friends.  We all had a blast, with the exception of my younger daughter, who isn't crazy about loud noise.  She also used to get tired and bored after a certain time, so let's just say I don't remember too much about the last couple of songs that night.  But we were thrilled to meet our friends in person and to see the band we all loved so much.  I particularly remember one of the first songs that night was "Kill All Your Friends," where I stood beside my very good friend and sang along to "You'll never take me alive/you'll never take me alive/Do what you need to survive/And I'm still here."

Fast-foward four years to today.  We got to see MCR earlier this year, almost three years to the day after our last show in 2008.  We'll be traveling to Milwaukee to see them once more next month, and soon we'll be meeting up in Chicago again, just for fun, with our beloved friend from the 2008 show and her younger daughter. 
Due to my fangirl-ish love of MCR, I know others my age may think I'm crazy, but I know my 40-something pal in New York doesn't think so; nor does the stranger I recently stood near at the Aragon Ballroom.  Whoever she is, she knows, as I do, that the love of MCR has nothing to do with what they look like (though it never hurts to be easy on the eyes); it has to do with how their music makes us feel.  

I know that MCR has always felt that "this band can save lives."  After hearing stories from many younger fans, I believe it's true.  I can tell you my own story, too: that they provided an important bridge between myself and my older daughter, one that endures till this day.  Their music was once a way for some young men to try and make some sense of, and even defy, a tragic event that touched so many lives.  It's become something that helped others make sense of their own lives, and carry on when they thought they had no reserves of hope or energy.

Those young men are nearly ten years older now, and their lives, like those of their earliest fans, are totally different now.  But they, like all of us, need something to hold on to.  Their music has evolved too, into something that they perhaps couldn't have imagined in the face of a terrible tragedy: an anchor for not only themselves, but for all of us who love what they bring into our lives. And in the face of today's awful events, we can certainly use it.

Wednesday, July 6, 2011

Mini-blog #1: New Music

Recently I made my first purchase from Wicked Cool Records, which is a smallish NYC label owned and run by none other than "Little Steven" Van Zandt, the lead guitar player for the E Street Band.  (The oldsters among us may remember Steve B.D.--Before Do-Rag--back in the 1970s, when he wore a straw pimp hat and was called "Miami Steve" for reasons unknown.  Those were the days.)

Anyway, my point here is that I got two exclusive 45s, from Wisconsin-via-Brooklyn rock quartet Locksley and from Danish garage band The Breakers, both with--wait for it!--non-album B-sides, the singular joy of my early record-collecting days.  Thanks to the satellite station Underground Garage, I've heard these and many more, and now they're mine...all mine!  *rubs hands together gleefully*

The other objective of this blog is to let you know that the service was crazy fast.  I emailed them to let them know that their delivery was faster than Jimmy John's, and I'm not kidding.  I ordered my goodies online on June 30, and they were waiting in my office mail yesterday, July 5.  Wow! 

And as if all that weren't enough, they sent me a Wicked Cool sampler of bands I've already been infected by...uh, I mean, amazed by, through listening to the station and the recorded radio show!  Thirteen artists, fourteen songs, all at no extra charge.  It was almost worth the $7.90 shipping (only $2.90 of which was the actual postage), but hey, people did their job and did it fast. 

The only quicker way to get these would have been to steal them.  Just kidding.

Saturday, July 2, 2011

Nana (started October 2010)

Note: my wonderful Nana, Florence, passed away October 2010, at the age of 98.  She was too amazing, as you'll see.  I wanted to write something and read it at her funeral, but my sister convinced me that it'd be too long and nobody would want to sit through it.  

I'm not sure I could've gotten through it myself.  But here it is, in the extended version.

A few years ago I wrote a story in which the beloved Nana of a main character died.  My character was a journalist, and so her Nana wisely chose her to deliver the eulogy.  What I wrote was simple and, I thought, moving.  In fact, a writer friend of mine asked for permission to use parts of it when she killed off her main character in an epic story she was doing.  Of course, it's a different business when it's your loved one who's passing or passed away.

These last few months, my Nana’s been on my mind almost constantly.  I’ve been trying to think of a single word that would characterize her.  And I finally came up with one.  I know maybe the great-grandchildren won’t agree with me on this one, but the word is ENERGY.

How else can you describe a woman who gave so much to her family for so very long?  She got married in her mid-20s and was a mom within two years.  Then her two oldest daughters got married in their mid-20s, and became moms within a year.  So, by the time she was fifty, she was a grandma four times over, that fourth time on her own 50th birthday.  By contrast, I’m forty-nine now, and my girls are just 16 and 10.  Imagine how much energy you’d have if you were a grandparent at just fifty, knowing that your kids had grown up, married, and settled down; and you could enjoy that next generation…then send them home when they got to be too much for you.  I can't do that.

When the four of us, my sister and I, and my cousins Scott and Cheryl, were born, it was the 1960’s.  The 60's were maybe the last decade when women either wanted to, or were expected to, or could afford to, stay home with their kids.  My dad worked, and so my own mom was what used to be called a housewife, and my sister and I did our best to drive her nuts.  I’m sure we succeeded on more than one occasion.  But I’m sure mom also knew that help wasn’t too far away; once we moved from my folks’ original apartment in north Jersey, we got a house within walking distance from where Nana and Pappa lived.  Even when we moved to Howell Court, we were still just a five-minute drive away.

My Aunt Mar and Uncle Dave, on the other hand, both had jobs that meant they were out of their home all day.  In those pre-daycare days, what would you do?  I mean, nobody would turn their kids over to strangers to be fed, burped and cleaned, right?  Even leaving out the potential cost, who could do such a thing?  It was almost unheard of.  Our family had a secret weapon: Nana.  She practically raised Scott and Cheryl, and later, our younger cousin, Nick.  I recall spending many a preschool weekday at her house myself. 

I have to tell you, I was jealous of Cheryl and Scott, because even though we saw Nana often, they got to be with her ALL THE TIME when they were little, and beyond—even when they started school, they often spent afternoons there too. (No after-school programs that I knew of, back then.)  They were SO lucky!  But I knew by then that I was fortunate too.  Not only did I have a full set of grandparents in those early years, but mine lived just down the road, not in another state, or even another city.  Why would your grandparents live somewhere else where you couldn’t see them all the time?  What was that about?

When I was little, Nana constantly amazed me.  Unlike my own mom’s, and, I admit, my own, her handbag was a marvel of organization.  She always knew where everything was, and if a child needed a tissue or a stick of gum while in church, or anywhere else, she could find it immediately, with no digging.   Nana was a buffer between siblings while in quieter places, making sure we failed yet again to fight and/or kill each other. 
She was a wonderful caregiver, and an excellent cook.  She may not have taught me to cook, but I still use some of her recipes, which she was kind enough to give me some years ago, after I got married. 

I always tell my kids about her potato and tomato salad, the taste which I’ve never been able to duplicate.  I console myself with the thought that it must be the lack of Jersey tomatoes where I live that causes this issue.  She used to fry us hamburgers in her little skillet, and serve them to us on Wonder Bread with the crusts cut off—a messy dish, sure, on that very soft bread, but one we loved.  Her white metal pantry cabinets always held candy for us kids, usually Baby Ruths or whatever our Pappa liked.  For him, when he was home for lunch or dinner, she used to make a dish that still grosses me out—a mixture of meat, eggs and escarole she called giumbaut (not sure about the spelling).  And, of course, all the other wonderful Italian dishes in her repertoire. 

Family holiday dinners at her little house were absolutely crazy.  The adults ate in the living room.  I always seem to remember that we’d bring in the picnic table from outside for that purpose.  Us kids, just the four oldest cousins at the time, got to eat at the little kitchen table, closest to where the food was prepared.  It was loud to all of us, but for Nana, who was raised with I-still-can’t-remember-how-many siblings, it probably seemed a lot quieter.   She’d grown up surrounded by family; we were lucky enough to carry on that tradition for her and with her.  I remember her telling me that in the early 1930s, in the depths of the Great Depression, that all of her siblings of working age had jobs, so money was never a difficulty at that time.  She told me she wasn’t even AWARE of the Depression till she got married and it was just the two of them, with one income.

Nana had originally planned to be trained as a dietician, but those plans were abandoned in favor of her husband and kids.  I loved hearing her stories about her family, especially her oldest brother Jim, who at a certain point was estranged from the family and was never really seen by them after that.  I wish I could remember if she told me why that happened.  She told me about her mom and dad and how they met; the mysterious origins of her father and how the woman who raised him wasn’t a blood relation, but who had given him her last name, De Marco. 

She told us about the scandal in her family when her oldest sister, Mary, and another sister, Anna, both married men literally old enough to be their father; and how, in the 1940s, an oppressively Catholic time, one of her sisters wasn’t even allowed to have a non-Catholic in her bridal party.  Many of these things were shocking to me at the time she told me, but what I didn’t understand at first was that she was from a different time, and even a much different world, where things that seem small now could tear a family apart.  I know she never wanted that for us.

She met our Pappa, Nick, when she was 19, married him 5 years later, and lost him 35 years after that, when the four oldest cousins were in grade school, and when his namesake, Nicky, was a toddler. We were heartbroken, all of us, but none of us the way Nana surely was.  I didn't go to the funeral, since I was just 11, but I'll never forget my big, strong Uncle Dave coming back to the house in tears afterwards.   That, more than anything, was a sign of how final that event was.  I didn't even see my Nana cry until several days later.

I've forgotten to mention her sense of humor, which could be a little bawdy at times.  She referred to her lady parts as her "cookie," and once actually I saw her hold a platter near her lower abdomen, stating she was "putting her cookie on a plate."  (Yeah, and I'm really not kidding.  I almost wish I was.)  Anytime we received a money gift in her presence, she'd claim that the recipient owed her those funds.  And let's not forget what she tried to pull over on her married granddaughters: patting her lap and beckoning our husbands to her, insisting she loved them more than their wives did.  Sometimes they took the bait and pretended to be tempted.  She was hilarious; we all loved it. 

Nana was amazing in a different way, too.  She was what I liked to call the psychic in our family (I maintain that each Italian family has just one at a time).  She told me about the various superstitions she'd grown up with as the child of two immigrants, and the ways they might affect your life.  Also, she was able to predict the gender of all six grandchildren, and about half her great-granchildren as well.  The exception was my cousin Scott, who'd moved out-of-state, and whose wife was unavailable for Nana's personal service.

Her method was simple: when I was pregnant with my first child, I stood near her, and she put one hand on my belly, and the other on my butt.  In short order, she proclaimed I was having a girl.  My doctor was amazed by this non-invasive procedure when I told him about it, and said he "could sure use someone like that here."  After my daughter was born, Nana looked at the way her hair grew on top of her head, and told me the next time, I would again have a girl.  My sister, on the other hand, has two sons; she consulted Nana when they were considering baby #3.  Nana told her she could hope for a girl, but she would undoubtedly have another boy.  So this is why I have two nephews on that side instead of three. 

Even though she never really asked us for anything in celebration of her birthdays, or Christmas, we tried over the years to get her great gifts, ones that we hoped would be able to convey how much we loved and appreciated her.  At first, the grandchildren gave her little knickknacks, like tiny ceramic figurines that bore legends like "I Love You This Much".  I do seem to recall one memorable Christmas when my aunt, uncle and cousins bought her a padded toliet seat.  As silly as that sounds, she loved it.  It was crazy.  We'd send her flowers, but she told us she didn't like them because "flowers die."  One of my cousins then had the bright idea of replacing flowers with balloons; that too was a big hit.  Most recently, I'd send her a mini Christmas tree, with its own set of ornaments and lights, to commemorate all the Christmases I'd spent at her house, in her fortunate company.

She really didn't like the idea of us having parties for her; yet, under the guise of a graduation party for me, we managed to fool her into attending her own 70th birthday party at my folks' house.  In fact, her younger sister Margie even stayed at her house, cooking for days the food meant to be served at "my" party.  Many years later, after I was married and living a thousand miles away, the rest of the family lured her to another celebration: her 90th.  She may not have been thrilled about the whole idea at first, but she was by all accounts delighted with that surprise.  I was sorry my husband, kids and I had to miss it.  Lucky for me, both those occasions were documented and turned into photo albums, which were always kept out for anyone to peruse and smile over.

Her house wasn't the largest or the fanciest.  Good Lord, she had furniture that was probably thirty years old when she passed away; the paintings on the walls never changed: and the carpet, if I recall correctly, was still orange.  She refused to have anyone come in to replace it and make it less ugly.  But the smallish entertainment center held many pictures of us, so many that new ones had to be placed in the front of each frame, covering up the older photos.  There was even one of all the grandchildren with our respective spouses or fiances, taken a month or two before my wedding specially for Nana.  And I haven't even mentioned the photo collages in the hall, all of which assured Nana of familiar, beloved faces within her sight almost all the time.

This last bears out the one really true thing I wrote in my fictional eulogy: that all Nana ever wanted was to be surrounded by those she loved.  On Christmas Eve, just before the traditional fish dinner, we'd all get up and walk around, hugging and kissing and wishing each other a Merry Christmas.  All except Nana, that is; as the matriarch of our little clan, she simply sat in the dining room in sort of a place of honor.  She accepted our wishes and returned them to us, along with the kisses and love we always knew we could count on from her.  We may have tried to protect her feelings over the years, glossing over or omitting things that we felt could hurt her, but she was always most concerned about how we felt.  She accepted all from those she loved, without judging harshly, always loving us back.

We were fortunate to have known her, to have had her love for so many years.  And so we gather one last time around her, so that she might feel our love again, and remember it always, as will we.

Thursday, June 9, 2011

What I Want for my Birthday

Unbelievable as it may seem, I find myself looking down the barrel of my 50th birthday in the middle of June.  I'm still not sure how that happened, but in the normal order of the universe, who does not die grows older. (Put that in your fortune cookie and eat it.)

Over the years--many, many years--I've wanted a lot of goodies for my birthday. I don't know exactly when the want came up, but of course, it may have been amplified by the ads I was subjected to during the cartoon shows I watched every Saturday morning.  Mainly, though, those ads were for toys and breakfast cereal (too little too late, I'd already eaten by the time I settled in for a long morning with the electronic babysitter).

When I was maybe 5-10 years old, I wanted a swing set in my yard.  In fact, we briefly rented a house that had one, but I really don't recall spending much time on it.  I knew then that there are parks all over the place, but the nearest swings were located behind my grammar school.  And who wants to spend any more time in the schoolyard than absolutely necessary?  Another plus would have been that everyone would've wanted to come over to our house all the time.  Of course, my folks took care of that possibility when they installed a pool in the back yard.

Also around that time, closer to ten than to five, I wanted, and got, a Malibu Barbie doll.  Rapture!  She was awesome, with summer-blond hair, almost-normal boobs, and a permanent tan (from all that surfing, no doubt). I used to wash and comb her fake hair all the time; it never occurred to me that since she wasn't actually alive, the only way her hair could have gotten dirty would be if I made it that way.  It's amazing how you sometimes pick toys that are the opposite of what you are: womanly vs. girlish; tan vs. pale; blonde vs. brunette (God, how I wanted to be a blonde!); athletic vs chubby.

At the opposite end of the fun scale, I wanted both a chemistry set and a rock tumbler when I was maybe eight.  I can see now why I never got either one: the chemistry set was probably viewed as an invitation to blow things up, and it's likely that the rock tumbler made too much noise.  It's the same rationale you'd use when you'd refuse to get your kid a drum kit, no matter how talented he/she is: the goddamn noise!

As the years passed, many times my fondest wish was for some LP or other.  My mom, who abhorred rock music as a whole, and from whom I had to hide any new purchases if they were musical in theme, would gladly purchase me whatever I wished...as long as it was a gift.  Apparently, it was a waste of money if I spent it, but not if she did.  Hmmmm...I never did quite understand that logic.

When I was turning 19 and in college, all I wanted that year was an SLR camera.  They have these now in a digital version, of course; but mine was an old-school manual SLR that needed a separate flash, telephoto lenses, and all those goodies.  I remember the day I looked at with my folks in our local department store, longing for it, but they wouldn't break down and buy the damn thing, no matter how I pleaded. 
The entire day of my birthday, I sulked, convinced they'd blown it and had forgotten what I wanted.  But at dinner, there it was.  I took hundreds of pictures with it over the next few years and took it everywhere, even to Italy when I did a summer there.  Some years ago, the light meter got dislodged, and I had to stop using it.  Sadly, I've never had it repaired, and it's somewhere in my house now, gathering dust in its case.  But the beautiful pictures I made live on, proving to my kids (and myself) that I once had a life.

Fast-forward to now: I'm a working wife and mom of two.  Sometimes I get flowers, sometimes not; sometimes I get jewelry, mostly not.  Many years we'll go out to dinner.  With my husband's work schedule, a dinner out with him is a rare treat indeed.  More so if it's just the two of us.

So...what do I want now?  At this point in my life, the wants aren't always so easily or cheaply satisfied.   For example, since I have a 60-mile daily commute round-trip, I need a newer, more fuel-efficient vehicle.  I'd love a new front-loading washer-dryer pair; our old appliances are getting tired after nearly twenty years, and the washer usually requires two spin cycles before the clothes are properly wrung out.  It's mostly just annoying.  And of course, I'd prefer a bigger house (and the money to pay someone to clean it), because our rooms just don't have the storage that they should. 

But, since you can't have everything (nor should you, I have discovered), I'll be happy to take what I have, try hard to work for what I need, and hold out with my old car for as long as possible.  Unless, of course, someone feels that they need to get me one.  That, or the washer-dryer pair.  Maybe you can get a deal.

Saturday, June 4, 2011

Places that are Gone #2: Pecht's Bakery

When I was a kid, there was only one place where I wanted my birthday cake to be from: Pecht's, located in Brick Plaza in Bricktown.  We used to stop there on Sundays after church, which was quite the feat; there's still only a single-lane road that leads in and out of the main shopping area in Brick, and on weekends it's usually backed up quite a bit.

But oh, was it worth the wait!  The cupcakes were amazing: moist, sweet, perfect.  And the frosting?  With that stuff on top, it almost didn't matter what was underneath it.  Mr Pecht had it all together, I'd say.  The frosting was so divine that I used to eat the bottom of the cupcake first; ever try that?  There's probably a law that says only kids can eat that way, but if I could have one of those cupcakes now, I'd probably attempt it anyway.  I pretty much only ate the vaniila cupcakes/frosting; the strawberry wasn't quite as good, and I wasn't a big chocolate cake fan back then. 

Many years later, I actually worked at Pecht's after finishing college (I Got a BS in Foreign Language For This? my souvenir t-shirt would have read).  I first worked with a young married woman whom I'll identify as Suzanne.  She was not only a born-again Christian, but she and her husband also sold Amway (a catalog-and home-sale company that makes household products).  I kinda knew I was in trouble when her eyes glazed over the same way whenever she spoke about either Jesus OR Amway.  Hmmm.... Suzanne taught me how to clean up the bakery every night (we had the night shift together, since I came in about 1-2 pm every day), how to make the shelves clean and gather up the crumbs, which were incorporated into the bakery's crumb cakes every day.

Mr Pecht, a crusty old German man (FYI, not trying to be offensive; my father-in-law qualifies as same), had lost his wife within a year or so before I started working there, which apparently didn't improve his mood.  I never really saw him smile much, though I did get him to do it at least once.  I'm still not sure what would have made him happy.  His sons worked with him, and they were less dour; but we didn't spend much time with any of them, as we were ringing up customers and cleaning. 

As my time at the bakery went on, Suzanne left, and I met a lovely lady named Joan, who was about my mom's age.  She introduced me to her daughter, whose name I can't recall, and we spent quite a lot of time talking and chumming around.  I mostly remember that my friend Joan wore Opium perfume, which is why I later got a bottle for myself; and that she gave me a lot of shit on the occasional day I'd come in to work hungover, which was okay with me.  She was hilarious.  There were a few others who worked with me in that time I was at Pecht's, but eventually I left there and started working at Spencer Gifts, which was a lot less sleazy in the mid-80s than it is now.

I've been living in the midwest for more than 20 years now, and I'm not sure how long Pecht's has been gone.  Looking back, and knowing what I know now about baking, I think that wonderful frosting I loved so much was made with vegetable shortening.  But we'll never really know: my first co-worker, Suzanne, told me that she'd learned from our boss that he'd refused to leave his recipes to his sons, thus ensuring that when he was gone, so too would the bakery be.

Thursday, June 2, 2011

Wild (for the extra sisters I didn't have till I was an adult)

In a different lifetime
I would’ve been your best friend
Running through summer fields
Ponytailed and mosquitobitten
Shrieking, avoiding the bees
Rolling on grass
Gathering all the flowers we could hold
Under tents of bedsheets
Sharing secrets of the day, the minute, my life, your life
Watching your blonde hair and my dark
Flow wild as we run.

In less than half a decade
I would’ve been your best friend
But we would’ve lied and told everyone we were sisters
And that your blue eyes and my brown
Were perfectly normal in our family
Giggling, crazy, wild nights in Asbury and beyond
Sneaking what we could
Blue eyeshadow worn with our Levi’s
(not that you needed it)
Getting in trouble, oh yeah
Never telling anyone
Secrets of my life, your life, the minute, the day
Anything at all
Wild as we run.

And when I see you now
Whenever that is
We get to pick up where we might’ve left off
When time and school and families
Pull us apart, unwilling, never really letting go
Each one always keeping one end of the thread
Be it shoelaces, phone cords, guitar strings
Never really letting go
Always wanting more but never getting
Time slips on
But the echo of your laugh, your voice
The memory of your face, your eyes
Keeps me holding on
Sustains me when I can’t
Just can’t, and nobody else knows or understands.